Investigations and research-led activity developed in collaboration with: N55, DK (2004-6), Kathrin Soldhju, DE (2006), Nicolas Langlitz, DE (2006), Jens Hauser, DE (2006), Steve Rowell – USA (2008-), Lisa Haskel, UK (2008-), Gail Davis, UK (2008-), Mike Kenner, UK (2008-), John Hill (2010), Luce Choules, UK (2012), Tina O’Connell, IE (2012-), Dominic Walker, UK (2015), Rob Smith and Rebecca Birch (Field broadcast 2014), Anna Troisi, IT (2015-18), Anna Santomauro, IT (2016-), Claudia Lastra, UK (2016-), Alec Steadman, UK (2016), John Beck, UK (2016 -), Monsoon Assembages, UK (2020-21), Deep Field Project; Diann Bauer, USA and Jol Thoms, CA (2020-) Bill Thompson, USA (2018-) and Erik Kearney, IE (2008-). , Rob Smith and Rebecca Birch
Office of Experiments projects was founded by Neal White and is currently directed with John Beck.
Projects supported by Nicola Triscott and Rob La Frenais of Arts Catalyst, London (2004 -18), Henry Moore Foundation (2007), John Hansard Gallery, Southampton, SCAN, New Forest (2008-9), Big Picture, Dorset (2011), Chelsea College of Art (2009-10), Center for Land Use Interpretation and Flat Time House, London.
Works have been exhibited Internationally, including; Central Pavilion of Giardini; Venice Biennale of Architecture with Monsoon Assemblages (2021), Into The Great Wide Open – Arts and Music Festival, Vlieland, Holland (2019) Arts Catalyst Centre London (2010-18), Fargfabriken, Stockholm (2017), Wysing Arts, Cambridge (2015), Suspension of Disbelief at Cherry Blossom Festival, Washington DC (2012), The John Hansard Gallery, Southampton (2008-9) and Camden Roundhouse with N55 (2006).
Research has been funded through academic activity at CREAM at University of Westminster – London, Chelsea College of Art, UAL, The Media School at Bournemouth University.
Our funders include
Arts Catalyst (UK), Zone2Source (Holland), Portikus – Hochschule für Bildende Künste Städelschule, Frankfurt am Main – (Germany), The Latham Estate (UK), O+I (formerly Artist Placement Group) (UK), The Centre for Land Use Interpretation (USA), The Henry Moore Foundation (UK), Arts Council of England (UK), Camberwell Offsite Projects (UK), John Hansard Gallery (UK), Max-Planck Institute (Germany), FACT, Liverpool (UK), B-Side (UK), Museum of London (UK), Heritage Lottery Fund (UK).