Office of Experiments is a critical art institution that was established in 2004. It has since been committed to developing and disseminating critical forms of art and knowledge evolved through experimentation, fieldwork and ‘undisciplined’ approaches. 

Weaving our way across infrastructures, cultural repositories, or landscapes that may situate knowledge we consider experimental, or anomalous to established academic or cultural practices, we have examined collections, private archives, sites of interest, in person, as well as testing digital resources and experimental approaches in the field. The methods we employ include documentation (audio, visual, sensory), situating artworks, writing in situ, developing digital tools, alongside producing public tours, exhibition displays, and co-creation of artist publications.

Over the last five years, Office of Experiments leads, John Beck and Neal White, have been undertaking fieldwork as artists and visiting scholars inside major Museums. They have been undertaking fieldwork across Kent, and working at London based Museums that includes; Royal Botanical Gardens at Kew; Natural History Museum and Royal Observatory – Greenwich Museums – London. Together- working with the lead curators, they went deep behind the scenes of the NASA art collections and conservation areas  at Smithsonian’s National Air and Space Museum in Washington DC. This practice will shape anomalous areas of interest that will form future projects by the Office of Experiments.

Related Publications

The Redactor

  THE REDACTOR, was launched for ‘The Incidental Person’ at Apexart 2010 in New York. Antony Hudek on ‘The Incidental Person’. “The British artist John Latham (1921–2006) coined the expression the “Incidental Person” (IP) to qualify an individual who engages in non-art contexts – industry, politics, education – while avoiding… Read more

The Self-Experimenter

The Self-Experimenter – 2005 This publication was developed for the event ‘The Void’ at The Barbican Gallery, London, part of the ‘Colour After Klein’ exhibition in 2005. The full colour A2 folded sheet publication featured editorial, information on the exhibition ‘Le Vide’ by Yves Klein, data on methylene blue and… Read more